"Book" is the structural form by which I tell my stories. I define "book" broadly and the stories are often written in images rather than words. Using simple materials and techniques such as stitching, paper mache, paint, found objects, and cold connections I create stories that are both intimate and public. I often employ humor and a child-like sensibility as a way to initially engage my "reader", with more sensitive or sophisticated content beneath the surface. Without sacrificing craftsmanship, the hand of the maker is always apparent and visible in my work. This conveys my interest and appreciation of the rough, unpolished moments in our existence. I was a slow reader as a child and had a hard time sitting still, but loved books as objects and as containers for pictures- the visual spark that took me on imaginary trips.  I also loved the idea that books contained knowledge, even if I could not access that knowledge through the book form.  I work in books because of this interactive quality they offer.  I want viewers to have a sensory experience through handling, wearing and playing with my books. Communicating with people through the objects I make continues to be the primary and sustaining focus of my work.  I am currently a Resident Artist at Penland School of Crafts